Community Parson: Filling the hungry with good things: Cana

Saturday, February 2, 2013

Filling the hungry with good things: Cana

Epiphany 2-C

January 20, 2013

Isaiah 62:1-5

Ps. 36:5-10

1 Corinthians 12:1-11
John 2:1-11

You have been invited to a wedding. It’s kind of far away, in a not very interesting place. The family are dear friends of your family, but they are not very well off, and you suspect that it will be a not-so-grand wedding. It will be fun, and loving, and festive. So you go to this out of the way place, for this humble yet elaborate ceremony and party, and yes, your fears are confirmed: the catering has been done on the cheap; they’ve run out of wine.

This is the scene into which Jesus walks, a week after his baptism, and three days after calling his disciples. The Gospel of John is one of those “pretend” histories; John gives you dates and places and you think, Oh, this is the way it was – an eye-witness account. But not: John’s gospel is a symbolic history, a theological story. John knew what happened at the wedding in Cana, and he structures this story with meaning rather than mere fact.

We do know this: Cana is a poor, out-of-the-way place. It really is the generic banquet hall off the interstate kind of a wedding, and not some swank affair on Park Avenue with a reception at the Waldorf. This modest place, among ordinary people, is the place John declares is the site of the first sign of Jesus, the first place where God’s glory is revealed. Wait a minute here. This is the gospel that begins with a bang:

“In the beginning was the Word and the Word was God and the Word was with God. … And the Word became flesh and lived among us, and we have seen his glory … full of grace and truth. … From his fullness we have all received, grace upon grace. The law was indeed given through Moses; grace and truth came through Jesus Christ.”

With an introduction like that, where do you think Jesus would first reveal God’s glory? Surely in some important place – in Jerusalem, on the temple mount, or on Mt. Sinai. The beginning of the Gospel of John is banner headlines: THIS IS BIG. But where does John take us? To an out-of-the-way place, among ordinary people, and to a crisis provoked by scarcity, which brings us to our next meaningful clue: Mary.

There is no story of Jesus’ birth in the Gospel of John, and so this is the first mention we have of Jesus’ mother. I guess John assumes we know she is important. I guess John assumes we remember her song, recorded in the Gospel of Luke, when she understood that the baby she bore meant that God was bringing down the powerful and lifting up the lowly, filling the hungry with good things and sending the rich away empty. I guess John assumes we remember the story from the Gospel of Matthew, when three regal wise men knelt at her baby’s cradle. I guess John assumes we know the story of the angels’ shouts and the shepherds visits, that Mary treasured all these words and pondered them in her heart. I guess John assumes we know what happened when the Holy Family took the baby Jesus to be blessed in the temple, and what the wise and ancient Simeon told Mary: “This child is destined for the falling and rising of many in Israel, and to be a sign that will be opposed so that the inner thoughts of many will be revealed – and a sword will pierce your soul too.”

John assumes we know all that – all that prophecy and all that conflict – and so when Mary says, “They have no wine,” we hear all the longings of the poor, cursed with scarcity and yearning for God to turn the tables and provide for them. We hear all the hopes that this Jesus is truly the grace and truth of God. We hear also that this grace and truth comes at a cost, with a prophecy of violence, death and grief. Mary knows all this, knows that to begin this journey means that it will be difficult and deadly. John Chrysostom, one of the church’s early theologians, speculates that she had heard that Jesus had been baptized by John, a fellow-conspirator in this revolutionary hope, and that he was beginning to collect his own disciples. From then on, he writes, “She began to have confidence.”

This is the big epiphany, the light that shines in the darkness, the warmth that melts the cold, the hope that a world of scarcity will be overcome by one of abundance. This is the party where the food is terrific and the company is scintillating and the wine never runs out. This is the grace and truth of God.

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Missional church and the arts

What if we thought about church in another way, as "a small community that [moves] into a particular area (often one with a lot of deprivation and poverty) ... seeking to follow Christ but their focus is simply helping transform their community -- in arts, environment, in social needs, with youth and so on."

These are churches, as the English church missioner named Jonny Baker, "are not focused on growing big -- but more like the yeast of the kingdom that Jesus talked about infecting the wider batch of dough. ..." Such churches, Baker says, face "the challenge of weaning members off their addiction to consumer approaches to church where they get their fix of worship and teaching and meeting with friends before they could properly engage in this more local, outward-focused community approach (maybe we need a 12 step detox programme for leaving consumer church!?)"

We may benefit from thinking this way, as we explore how to connect our treasure, which is the Celebration of the Arts, into parts of the community that could use more art.

Thanks to the Patheos blog for sending this thought my way ...

"A prayer book even an atheist would love"

It does seem a teensy bit arrogant for a 21st century author to claim that he "edited" The Book of Common Prayer, but Brian Cummings seems to have added considerable value to familiar red book we find in our pews. In this 2011 volume (Oxford University Press), we can find the full texts of the 1549, 1559 and 1662 Prayer Books, along with introductions, explanations, notes and glossary. The review in the September 2012 issue of The Atlantic, gives the book a glowing recommendation -- both in its edited and "explained" form and in the original, which as the book upon which all prayer in our language is based "shaped the inner life and branded the tongue of the English-speaking peoples. Its phrases and rhythms did not merely enter the language. They largely defined the language. " Read more of the review here, and if you read it, let us know how you liked it!!

What I read - 2012

FINISHED:

At Simon's INSISTENCE I read The Hunger Games. Some parts I had to skim through, because the depictions of these young people fighting each other to the death was at times too gruesome, but it was overall well worth the read. NOW I have to get on with # 2 in the series

Dennis Lehane's A Given Day. Everything comes together in a slightly staged but effective way in 1919 Boston: anarchists, molasses, racism, repression and the Boston police strike. J. Edgar Hoover makes some unflattering cameos. I must say it is kind of Ragtime as it would be dramatized by Matt Damon, Mark Wahlberg and Ben Affleck. It was in the days when you could tell what Boston block someone grew up on by the accent. The Irish don't come off all too well. Southie is a place to avoid in this prelude to The Depahted. It's good, though a little too graphically violent and written like a movie script. Let's just say Whitey Bulger came by his proclivities naturally.

Kaaterskill Falls by Allegra Goodman

quite charming and lovely; a peek into the modest domestic life and extraordinary yearnings of a summer community of Orthodox Jews in the Catskills

The Girl with the Dragon Tattoo, The Girl Who Played with Fire, The Girl Who Kicked the Hornet's Nest

Also saw the Swedish version of the first book.

The reminders of domestic terror in the most intimate sense are deeply unsettling. The author reminds of the percentage of Swedish women who are abused, beaten, left for dead, even. It is an all-too-steady drumbeat beneath human society.

Meanwhile, I found a new collection of stories, that is easier to read before bed. I heard the most astounding story on Selected Shorts: "The Mappist" by Barry Lopez. You MUST read it. Before you know it, you are in another world, that shines the most wonderful light on this place we inhabit and how we live in it.

I had a brief flirtation with a few of Joyce Carol Oates short stories. Bracing. I am always on the look-out for her perceptive comments about upstate New York.

Done with Cheever, and LOVED it. Again. If you read nothing else, read "The Death of Justina." Then again, I also like, "Goodbye, My Brother." Cheever; the chronicler of a world falling apart.

This summer ...
Middlemarch by George Eliot. This wonderful story of the intertwined lives of villagers contains the requisite English characters of pompous rectors, impoverished strivers and beautiful young women. It's like reading Trollope: you'll find someone you know in Middlemarch.
and
The Collected Stories of John Cheever. A perennial favorite. Poignant stories of families in mid-century middle America. Reading it again is a bit like Mad Men, where you are glued, almost in horror, at the train wreck you know is about to happen in these people's lives.

Responding to the Unspeakable

The shootings in Newtown, Connecticut, in the days right before Christmas, with the deaths of small children and the people trying to protect them, wrench our hearts like nothing else. However we respond to this tragedy -- with silence, with weeping, with anger, with resolve to work so that something like this will never happen again -- all of our reactions are understandable. We need ways to regain our footing and imagine how we will live in the world as it is now, in this world in which we experience yet more grief and sadness.

On Sunday, December 16, the Prayers of the People at St. David's Church were in the words of parishioners and preachers, some from the very day of the tragedy. Find the text of those prayers on our Forming Disciples blog.